Arildo de Barros

Debuted in 1966, on Esquilo's “Agamêmnon”, directed by Ítalo Mudado. As of 1968, made “Numância”, by Miguel de Cervantes, with direction by Amir Haddad, “Procura-se Uma Rosa”, directed by Carlos Alberto Ratton, and “Futebol, Alegria do Povo”, metaphor for Brazil's military dictatorship regime, “Frei Caneca”, “O Interrogatório” and “Os Pequenos Burgueses”, all staged by Jota D’Ângelo.

With Ratton, made “Dorotéia Vai à Guerra” and “Depois do Corpo”, on 1970. Acted in “As Visitas”, by José Antônio de Souza and “Fala Baixo Senão Eu Grito”, directed by Eid Ribeiro. On 1982 made “O Encontro Marcado”, directed by Paulo César Bicalho, with whom he also acted in “Tute Cabrero”, on 1987. 

Between 1985 and 1994, acted as a Theater professor in the Communications departament of the Pontifical Catholic University of Minas Gerais, bringing to the stage, as director or directing supervisor, around forty national and foreign texts. 

On 1992, came to Galpão to assist Gabriel Villela on “Romeu e Julieta”. On 1994, acted in “A Rua da Amargura” and, from then, integrated the cast on productions carried out by Galpão until 2013.

Awarded in 1973 as Actor of the Year, by “Fala Baixo Senão Eu Grito” and on 2005 with the SINPARC Award as Best Supporting Actor for “Um Homem é Um Homem”, by Grupo Galpão. Nominated in 2007 to the SINPARC Award as Best Protagonist, for “Pequenos Milagres”, by Grupo Galpão.